![]() When German producers shifted to newer genres such as Trance, Italians created a new sound for the Japanese electronic music scene, developing the style in parallel with the rise of harder styles of dance music. Japan experienced Italo disco through the success of the now-defunct German group Arabesque. The variant of Eurobeat most people are familiar with, however, is the fast and melodic Japanese iteration of the genre, which evolved from Italian and German Italo Disco imports in the late 1980s and later became associated with the so-called Para Para dance culture which hugely influenced many song and business decisions within the scene. By the 1990s, the British strain of Eurobeat evolved into Eurodance, which gained popularity in the 1990s and paved the way for future electronic music subgenres. Later on the label was applied to any and all similarly-styled Synth-Pop and dance music releases coming from European producers in the late 1980s. In the United States, Eurobeat was historically marketed as Hi-NRG and for a short while shared this term with early freestyle music, trance and Italo disco.Įurobeat began as independent developments in the UK in the 1980s, when DJs began making Electronic Music in recognition to Hi-NRG releases from mainland Europe. Originally a European scene (hence the name), the style has gained a cult following in many electronic music scenes around the world, most notably Japan. The genre's sound is generally defined by high tempos, ranging from as low as 138 BPM to as high as 170-185 BPM, a steady, booming 4/4 beat with pitched, offbeat bass, a huge emphasis on melody, and a distinctive synth style that makes heavy use of distorted and detuned sawtooth waveforms, more commonly known as supersaw waves. Eurobeat is a subgenre of Electronic Music, initially developed in the mid-late 1980s as an evolution of Hi-NRG with elements derived from Italo Disco and Synth-Pop.
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